the lion the witch and the wardrobe book

drew up a list of basic Christian truths and hammered out “allegories” to embody them. Some people seem to think that I began by asking myself how I could say something about Christianity to children then fixed on the fairy tale as an instrument then. But once He was there he pulled the whole story together, and soon He pulled the six other Narnian stories in after Him. Apart from that, I don’t know where the lion came from or why He came. I think I had been having a good many dreams of lions about that time. But then suddenly Aslan came bounding into it. Then one day, when I was about forty, I said to myself: “Let’s try to make a story about it.” At first I had very little idea how the story would go. This picture had been in my mind since I was about sixteen. The Lion all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood. At first they were not a story, just pictures. Lewis’ comments on the genesis of The Lion, the Witch, and the Wardrobe are surely some of the most surprising passages in the whole realm of literary autobiography:Īll my seven Narnian books.

While strictly speaking this concerns the composition rather than the reading of The Lion, the Witch, and the Wardrobe, our conception of the origin of a work exerts a formative influence on how we read and interpret that work.

I brought this series Chronicles of Narnia from Snazal Wholesale Books.Misconception #3 is to assume that when Lewis composed The Lion, the Witch, and the Wardrobe, he started with a set of ideas and then created fictional details to embody them. Kids will be charmed with the escapades and more develop book lovers will like the concealed profundities, and also overlooking their inconveniences by being transported again to more satisfied, more cheerful days.Ī really brilliant work that gets into your dreams and never genuinely abandons you. Presently, returning to the place that is known for Narnia over a quarter of a century later, was similar to a startling cheerful gathering with a departed companion. I first read this as an adolescent, and it snatched my creative ability in a manner that no other book (with the conceivable exemption of Lord of the Rings) has done since. This delightful release of the Chronicles of Narnia profits from the seven stories being in their right legitimate succession, and additionally from the most popular, captivating delineations of Pauline Baynes, who portrays everything from the Elysian mystical vicinity of fauns and dryads to the frightful spirit of Tash, with incredible expertise and affectability.

The lion the witch and the wardrobe book